There’s a tiny door in Community Food & Juice that takes you 
inside Josh Ozersky. You see the world through Josh Ozersky’s eyes, and 
then after about 15 minutes, you’re spit out onto a ditch on the side of
 the New Jersey turnpike.
“This is another example of the artisanal version being worse than 
the ShopRite Bakeshop version. Well, I’m very disappointed in myself and
 in my inability to appreciate good things.” Josh Ozersky takes mincing bites from a “Dough” doughnut,
 grimacing in disgust. Safely removed from the owner’s gaze, Ozersky 
samples each variety and, like a petulant child force-fed broccoli, 
bemoans his not-so-sweet desserts. “It should be sweet,” Ozersky says. 
“Life is too short for savory doughnuts.” Famous for effusively praising
 certain chefs and products, Ozersky  rarely meets a food he does 
not like.
Dough, a bakery in Bed-Stuy  serving fancified doughnut flavors 
like hibiscus and “real” chocolate (no cocoa powder here), applies an 
artisanal ethos to simple breakfast fare. Ozersky does not lament that 
ethos per se, but instead criticizes its consequence: an unpleasant 
doughnut.  Ozersky describes the problem of hipsterfied and 
fancified food well—oftentimes, it just doesn’t taste good. Although I 
enjoy a Doughnut Plant 
creation as much as the next easily impressed sweet tooth, I appreciate 
the doughnut’s humbler forms, too. Like Ozersky, I’d rather eat a tasty 
doughnut than a doughnut with pedigree any day.
In his poem “All-Nite Donuts,” Albert Goldbarth writes:
A customer’s blowing
 smoke rings almost
heavy as the dough o’s rising
 out of the vat of grease.
Outside, the whores are whistling
 their one note, lips thick
donuts strawberry-glazed.
The artisanal doughnut feels deeply ironic—a perverse distortion of 
an American symbol. Whereas doughnuts once represented the seedy, 
too-sweet commodification of American life, now artisanal bakers 
viscerally reject that formulation. Of course, the artisanal 
doughnut embodies a bourgeois ethic, a mode of consumption that signals 
class separation. Dough is a product and producer of gentrification in 
Bed-Stuy and its wares emblematize class categories. An affordable and 
deviously unhealthy food made unaffordable—the violence of exclusion 
seems unavoidable. In an attempt to escape a sordid aesthetic, Dough 
reifies the latent divide between “have” and “have not.” To be bourgeois
 is to eat an artisanal doughnut; and the transformation of the doughnut
 from ShopRite to the imperative “eat right” extracts class from 
everyday consumption.
Oh Columbia student, do not think that the artisanal doughnut’s 
violence is limited to the outer boroughs. In Morningside Heights, a 
restaurant perpetuates this code of bourgeois consumption with gleeful 
fervor. This restaurant is also, in my opinion, the worst restaurant in 
Morningside Heights: Community Food & Juice. Continue reading →